An Apolitical Murder
The body, flesh now, a shape
that nears the shadow once it cast
or an arid bough buoyant
in the shallow water, oscillates
to the rhythm of the ripples.
Its lungs are mud-filled.
The sun crowds the horizon.
Shadows do not move. Crows call
no one specific. The body, a metronome,
regulates the song of the nightfall.
If I would have painted this
it would have been both a self portrait
and a landscape. Here dream
sniffs one's sleep; the killer hunts himself.
Do Not Search For Any Meaning, Reason
Yellow ochre soccer jersey,
cheer-friend and sunset
are a few things that plants
a shrub in your chest
that rips apart as it grows
and days decay.
You will never admit,
throw a bottle and crash it.
I shall say some platitude
about sadness, something
psychosomatic. Doesn't matter.
Sun hits the net held by three posts.
Sundial to Sundown
See, my shadow, shoes,
little stuck figure blue,
one or two unreasonable griefs
or freaky grooving moments
spilling out of the frame
I keep them tucked in.
Sure, can tell you time,
but why?
You may flip your phone,
look at that sundial,
pass time entertaining
the algorithm at your door
showing you every fruit
in its carpet bag
hoping one might hit the spot.
My shadows wane.
I stand awash in
the sundown - no longer
a pointer of time that never existed.
Brother Blood
The brother who opens your id
and loses the key,
makes you drunk and piss
in your own yard as your wife
watches from the first floor boudoir
returns.
You know the grey. You know the why.
You know the honey
and the sting he hides.
You lower your guards in the ring,
let the blood ooze, trickle
down your chin and yet do not wipe
the corner of your mouth.
He offers your children lift
to their school,
takes them for fun instead.
Nothing sharp, not more harm
than one pale ale too many,
your wife sees a blade
whenever sun catches his glasses.
He returns. He disappears.
You know where. You know why.
In The Orbit of An Obituary
The widow of handless Tony
lights up candles in the rum bottles
he left. Evening comes to their porch.
This moment every evening
her neighbour shakes his head
because he doesn't know
how to play an oboe.
The Ephemeral
The paying guest college kid
sinks his teeth in his
morning pizza, the first order
of the day for Mrs. Ray's.
The porch shines beneath
the newsworthy clear sky.
The paper reports about a city
choking on orange air.
Not this one we have today.
We too have the other kind of blue
when lungs shrink and hearts hurt.
I watch the kid. A flying ant writhes
on the cheese melt. The red
of the tomatoes stream to no place.
Waiting For The Rain
The summer burnt leaves
garland the boughs and the twigs.
Rain hasn't arrived. Nothing
can oust the worshipping deceased.
I wait for my wife in the shade.
The nextdoor balcony holds up
a murky mirror to my torso.
It shows only my contours.
A low pressure system represses rain.
I wait for my wife. Nothing arrives.
Browned leaves' vesper shivers in the trees.
The Opposite Word In Your Heart
On an opposite-word-
in-your-heart day
I stravaig, my consciousness
enunciating 'Darkness'.
It is mere a word.
The sunny day highlights
an army of ants locomoting
a green yellow leaf
up the tired stones of a temple,
another century for the deity
waiting for that single leaf full of glow.
My tongue hopscotch the word.
A crow turns its head.
"It's mere a word." I explain.
Waiting
The clock unwinds silence;
in the embrace of our pillows
we sleep off twelve gongs;
snow swirls to settle on
our tropical forty degree Celsius land;
a singular apparition
holds its crow mien and fettle.
The mango tree writhes underneath
its unaccustomed white sheath.
Patience waits outside, leaves
its footprints on the snow
although in the morning we see nothing
except some wet roads, cars,
greenery and feathers, nothing that
can make us believe in the myths.
The String
Why the road and the pavements look wet?
Rain remains absent in this plain for awhile.
Do we sweat this much? Oh so wet!
The kite whisperer friend lets it be
a white stingray in the almost-white blue.
"Report back; bring back the messages of the clouds."
The news from the sky sounds fake; we misread it.
"If you misinterpret something fake," hope says,
"what you perceive might be true."
The boys reels and pulls the string.
Sometimes the thin line cuts the skin.
The asphalt glistens. Do we bleed that much?
Bio
Kushal Poddar
The author of 'Postmarked Quarantine' has eight books published across the globe to his credit. He is a journalist, father, and ex subeditor of Outlook and editor of 'Word Surfacing'. His works have been translated into twelve languages. Twitter- https://twitter.com/Kushalpoe
I am blown away. Master of understatement proves yet again how What Juan Ramon Jimenez said about "poetry, that it is nothing exact or precise, it is a woman of mist," is indeed true. As with one word in the poem "Waiting for the Rain," the one word shivers delivers a multiplex of emotion and sensation to wrap up the poem with intensity. So much accomplished without the rambling, broken prose of most American writers these days, self indulgent, seeking even when at the end. Nothing indulgent in Poddar's tight, vivid, intense never exaggerated poems. Rather we find a therapeutic result in the way he faces yet understates with brevity all the complexities of the experiences a tender heart …